Dr. Collins' Voice Studio

Serves Apex, NC

35244

Hired 28 times

1 employee

20 years in business

$40

4.9

This pro accepts payments via Cash, Check, PayPal, and Venmo.

Next Service

Hours

Sun Closed
Mon 9:00 am - 5:00 pm
Tues 9:00 am - 5:00 pm
Wed 9:00 am - 5:00 pm
Thurs 9:00 am - 5:00 pm
Fri 9:00 am - 5:00 pm
Sat Closed

Credentials

Background Check

Daniel Collins 
Completed on 7/2/2023 

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Introduction

Baritone Daniel Collins has performed at Carnegie Hall and with the Metropolitan Opera chorus in New York City. He received his Bachelor of Music degree in Vocal Performance from the University of North Texas and earned both his Master of Music and Doctor of Music degrees in Vocal Performance from Florida State University. Dr. Collins was a finalist in the Dallas and El Paso Opera Guild Competitions, the NATS Singer of the Year Competition, and the NATSAA National Competition. He has performed in opera, concerts, and recitals throughout the United States and as a soloist at some of the most prestigious churches and synagogues in New York City and Washington, D.C. Dr. Collins was described by Tim Page with the Washington Post as a “funny, exuberant, and enormously likable” Papageno during Summer Opera Theater’s performance of The Magic Flute. The Post also celebrated him in Opera Theater of Northern Virginia’s The Barber of Seville as a “bright and bouncy” Figaro who delivered his lines with “aplomb.” He was a young artist in the studio programs of Portland Opera, Kentucky Opera, and El Paso Opera. Dr. Collins has sung the roles of Sharpless in Madama Butterfly, Sid in Albert Herring, Figaro in The Marriage of Figaro and in The Barber of Seville, Papageno in Die Zauberflӧte, Belcore in L’elisir d’amore, Jupiter in Orphée aux enfers, Dr. Falke in Die Fledermaus, Bottom in A Midsummer Night’s Dream, Masetto in Don Giovanni, Schaunard in La Bohème, Clayton McAllister in Cold Sassy Tree, the Clock in L’Enfant et les Sortilèges, the Mandarin in Turandot, and Haushofmeister in the world premiere of Dorian Gray. Dr. Collins has had the pleasure of singing in the choruses of the Metropolitan Opera, Washington National Opera, and Fort Worth Opera. He has performed roles with the American Symphony Orchestra at Carnegie Hall, Kentucky Opera, El Paso Opera, Summer Opera Theater, Bel Cantanti Opera, Amarillo Opera, Crested Butte Opera, Portland Opera To Go, Opera Southwest, Opera Theater of Northern Virginia, Concert Royal, Ash Lawn Opera, Bay View Music Festival, and Seagle Music Colony. Dr. Collins maintains a private voice studio at his home in Durham, NC and at the National Opera Center in New York City where he teaches singers of all skill levels including those who perform on Broadway and at the Metropolitan Opera. He has a passion for vocal instruction and is dedicated to the success of each individual student. Dr. Collins keeps an active record of each student’s progress, vocal exercises, repertoire, performances, and personal goals. He is a member of the College Music Society, the American Guild of Musical Artists, the National Association of Teachers of Singing, Pi Kappa Lambda, and Opera America.

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Q&A

What should the customer know about your pricing (e.g., discounts, fees)?

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I charge $75 per hour, $60 for 45-minutes and $40 for 30-minutes. I teach out of my home studio (w/a grand piano) in Durham, NC as well as on Skype.

What is your typical process for working with a new customer?

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I like to begin with a brief discussion of your musical background, present interests and goals for the future. I then like to do what I call a "diagnostic" to vocalize a bit and see where the range, timbre, size, vibrato, and pitch quality of the voice currently exist. I find this gives us a great foundation for which to leap off from!

What education and/or training do you have that relates to your work?

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Bachelor's in Music Performance- University of North Texas Master's in Music Performance- Florida State University Doctorate in Music Performance- Florida State University

How did you get started doing this type of work?

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I found, through my voice teacher in high school, that I had a voice which suited classical music and opera. I opted to audition for schools of music and pursue a Bachelor's in voice performance. The rest is history!

What types of customers have you worked with?

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I work with singers of all ages, interests, backgrounds and voice types and teach them the fundamentals of classical technique (e.g., engaged breath support, tall yet flexible posture, release of tension, precise diction, vowel formation, etc.) in an effort to unleash their best natural tone.

Describe a recent project you are fond of. How long did it take?

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Making my Carnegie Hall solo debut was an amazing experience to cap off several years of living, teaching and singing in New York City.

What advice would you give a customer looking to hire a provider in your area of work?

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Strive to find someone with whom you can build a healthy, long-lasting rapport. It's very difficult to grow in this field if you don't have a positive connection with your teacher.

What questions should customers think through before talking to professionals about their project?

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What goals do you have for your vocal development? Where would you like to see yourself in the near or distant future? These questions will help the teacher prepare lessons catered to the individual's needs and interests.

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